106 Royalty-Free Audio Tracks for "Low Hit"

Played with shaping low-frequency noise and speeding it up, made a nice, usable cymbal. Will also upload original speed.

A single hit of a 7 x 14" dw edge snare drum. Recorded with a beyerdynamic m201 mic. Sounds even better if you pitch shift it lower!.

Bashing a metal wheelie bin in my neighborhood. Low, hollow, bassy metal echo. Raw audio, no edits. May be background noise.

Sound i made with knives. Used abletons simpler to load in a few knife scrapes then hit the reverse button them and played a note. Mic used - akg c1000.

Large singing bowl made in india. Close mic perspective, wav/48khz/24b. Record at zoom h4npro. Any use.

Old sample i created for a rap beat. . . I guess experimental. . I created w/ fl 5 in 2005. Has a voodoo tribal vibe to it. Has strings, pad, and a very low piano key with each hit. Also has percussion. . Reverse cymbal.

Percussive sounds recorded by hitting with the hands a steel plate of an engine giant exhaust.

A dark and dissonant hit on the very low piano keys. With a bit of eq to increase the low rumble and a lot of reverb. Not a real piano but a vst instrument. Suitable for e. G. Horror films and games. The versions (a) and (b) of each sound in this pack are the same notes but on different pianos with sligthly different settings. Post-processing: eq & reverb.

Made with some noise from a recording and sampled 5 tones higher, has some nice low frequencies. Completely free to use, once downloaded it's yours.

Layered synthesis of the sound of a big hit. 1 layer. Recorded sound of a blow to the pillow (take with a percussion tint)2 layer. Recorded sound of a blow to the pillow (double low kick)3 layer. Recorded sound of a blow to the pillow (variation of a low-kick double with a low pitch and a different attack phase)4 layer. The sound of a low-frequency sweep, like in a synthetic bass drum, obtained on a synthesizer. )an additional layer of metal impact (recorded by me) is not present in all variations of the sound presented. Each layer was subjected to quite extreme compression and equalization. A bit of overdrive is present. Well, convolutional reverb.

A big spooky tubular bell hit. Credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

Chromatic notes starting at c0. Really sweet double delayed saw waves with lots of harmonics. Drop this into your sampler and hit it with a low pass filter and get a good groove going. Enjoy!.

Played with shaping low-frequency noise and speeding it up, made a nice, usable cymbal. Here it is without compression/increased speed.

A low bass guitar note, played with a pencil as a percussion. It resembles the hit of the piano hammers on the strings. Recorded using a samson c02 pointing at the strings and a di box.

Finally back with another sound effect, one of a cinematic movie-style impact sound effect. It is rather gentle, and gradually fades out; and has a slam sound to it. Hope you enjoy!. P. S. I request that all my sound effects only be used for clean, appropriate media and projects. Thanks!.

06. 22. 16: a punch created from the sound of a leather glove being whipped, processed alongside a thickly-layered kick drum.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

06. 22. 16: a punch created from the sound of a leather glove being whipped, processed alongside a thickly-layered kick drum.

Reversed recording of hitting the low piano keys. Dark horror scene or flashback building up to a particular moment before release. Recorded stereo with a zoom h4n.

A low-pitched ringing sound made via a high-pitched asian bell with a clear ringing tone, struck with a wooden dowel, the audio then subjected to a sequence of pitch-changes downward, each combined with a flanger-type effect at various settings for rate, depth and regeneration.

Knocking 4 times really loudly on my metal and hardwood table. Recorded in audacity, processed in audacity. Reverb preset: large roomgraphic eq preset: low rolloff for speech. Recorded 6/03/2020 11:12 pm.

Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Sound design elementskick effect,is perfect for drum machine,cinematic uses,video games. Effects recorded from the field. Recording gear-zoom h6 and microphone - røde ntg5reaper daw - audio processing.

06. 22. 16: a punch created from the sound of a leather glove being whipped, processed alongside a thickly-layered kick drum.

It was quite windy and the rain hit the windows really hard. The wind tinkled the lamp. I recorded this sound by positioning a rode nt1 a few decimeters away from the lamp. You can hear some talking in the background. Recommended audio edit: low cut at 30 hz and soft high cut (6db/oct)starting at 1. 5khz.

Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

This is a fragment from the aria ah mes amis at a lower pitch and badly performed. Iintend to use it for a coursera homework (audio signal processing for music applications). The intention is to transpose it and simulate a morfing like a falseto to the true key where the tenor hits high c, which i obviously cannot hit, otherwise i wouldn't be taking coursera courses and uploading to freesound. . .

Used in a mix where someone gets hit in the head with a wooden stick. A very versatile sound. There's a bit of low-end resonance in the end of the hits. This sound is licensed under creative commons 0, meaning you can use it in any work, for free, forever! however, i request that if you do use it in your project, you leave a comment below sharing what you used it for. You can use the sound regardless, but i would love to see what people use it for. Thanks, and happy mixing!.

Four quiet clangs, recording in a brick stairwell. I hit the metal railing of the staircase and let the sound ring. Sounds kind of eerie and distant, like something you'd hear in a factory or maybe on a big iron ship or submarine. Recorded with a zoom h4n.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recording of a simple frame drum i had lying around. Captured using a rode nt5 microphone and a zoom h5 recorder. Edited in cubase 6. 5. Some of the samples turned out pretty noisy, sorry for that. :/.

Since i have been lowing low on things to record i have been starting to record while i'm at school and it is working. The good thing is know one will know i am recording because i am using my audacity recorder on my laptop. I hope you enjoy my newest sounds.

Here's one from a series of 'clang' sounds, great for impact moments in trailers & commercials, or to layer up with other sounds. They are somewhat high-pitch, so they might mix well with low frequency drums and impact sounds. Recorded with tascam dr-40 built-in-mics, by hitting a railing with a pipe in a stairwell and adding a little bit more reverb in daw.

This is actually a low pitched log drum hit, with delayed reverberation, for that natural reflection of sound heard after a loud bang in the distance. --------------------------------------------------------------need notification sounds for apps and games?check out my collection of $1 pings, clicks, dings and bings :. Http://audiojungle. Net/collections/1725532-bonus-points--------------------------------------------------------------.

Me saying "party', recorded on my sony ic recorder icd-ux533f then using 'change pitch' in audacity i changed it to the key of c for use in my daw as a really corny sample. Yours to use, you don't have to give credit but i would love to know if you used it for anything, leave a link. . (as you can tell i do like dance music. ).

Made from a tom drum i created with xfer serum in reaper. Rendered the instrument as audio, then, sampled a small section of the tom and looped it infinitely to create a static frequency. Then i added the reapitch vst and created a smooth automation curve down to -24 semitones. Lastly, i added a short fade in and long fade out.

A sound composed from bunching wet paper towels smacked against the floor and a wet bottle of liquid being sloshed mixed together to create an impact sound. Creates a horrible sensation of flesh impacted by a powerful shockwave. A bottle with liquid being sloshed around gently can provide the needed element of a subdued liquid sound - taking away the need to filter it with low pass filters (but it can help boost other frequencies).

This is a series of sounds created for spitfire audio's make music day 2020 #spitfiremmd2020 it is a plastic drum, a springy pot rack and a big metal chip bin. There are both harmonic and enharmonic sounds here. The bin as a wonderful resonance and a lot of low end. This is a mono recording through a sennheiser 416 and an rme pre-amp. Enjoy!.

August, 2nd 2013. About eight and a half minutes worth of summer evening ambience, with crickets and cicadas leading the evening songs. Nothing too eventful, but a nice finish to a great day. Recorded at 48khz, 24 bit. Stereo pair of behringer c-2s (cardioid). The mics have an on-board 3-position switch, with labels "flat," "low-cut," and "-10db. " the switch was set in the -10db position (whoops!). It is unclear if this position also activates the low-cut. Additionally, a 24db/oct low-cut applied in pro-tools at 80hz to clean up a slight wind ruffle. Since it was late at night, and the rest of the family was in bed, i opened my window and placed the microphones (almost) right up against the screen. The a/c unit you can hear is directly below the window. Around the 4:45 mark, the digital thermostat hit a programming mark and kicked the air conditioner back on. Roughly one minute later, i adjusted the thermostat to turn the unit back off. Location: suburbs of atlanta. Free to use whenever and wherever! i'd be interested to hear/see where you use it!.

This is a short clip from an intense thunderstorm, recorded from my second story queens apartment from an open bathroom window during the early afternoon of july 15, 2015. Some traffic and airplanes can be heard in the background. This clip was recorded using an apple iphone 6 and the zoom iq6 x/y stereo microphone with a rode dead kitten windscreen at low volume, normalized later. This recording lasts until the battery on my iphone hit 5%, at which point the zoom handy recorder app automatically stopped.

Deep low gong hits.

This recording is for people who hate the highlighted high frequencies. An old sabian aax small recorded with a røde m5 mic. I the created two copies of the original recording:1. On the first file i applied low pass at 2 khz and hard compression at -24 db without makeup gain. 2. On the second file i applied high pass at 2 khz and hard compression at -24 db without makeup gain. Then i lowered -2 db all the spectrum except for the band from 3. 5 khz to 9. 1 khz and i applied hard compression at -24 db without makeup gain. I merged the two files. The envelope was very flat due to the compression and thus i reshaped it on wavelab (process > level envelope. . . Or press the "v" keyboard button; draw a natural fade out in steps [non-linear]). The result is a warm crash for people who don't want them loud.

A was busy doing some big muff basedenvelope follower, envelope filteredcomposition, when it hit me, a small portioncould be used for the max. 12 second loopof a loop exercice we're doing in the class. Here, i manipulate the envelope filter twice. First, a recorded loop, of my vintage teisco60's 70's don't remember anymore, doesn't matterguitar, i found for 90 euro at an online rommelmarktlet's say. . . I put the envelope filter so that it 'just' triggerson the peaks of my audio file. . . Oww yeah !!!. The second time i trigger the envelope filter, is wheni play live on top of the recorded loop, i'm playing on purposepercussive, a coup of my hand with an immediate attack, toeven further more let the filter open & because of the amazinggrainy low-frequency based russian sovtek big muff the filtergrowls even more. . . On top of the just percussive behavior, i playof course an harmonic, content related sequence, feeling that the loopwhile being in an odd measure, already is repeating itself , the liveplaying, contrastwise, makes variation in texture & harmonic/melodice content. . . This is only a small portion of the biggercomposition, that's comin'curious ? head to. Https://jozefaleksanderpedro. Bandcamp. Com/. For support : paypal/jozefaleksanderpedro. Peace !04012021.

Low hissy brush-type hits in a syncopated loop.

Low hissy brush-type hits in a syncopated loop.

Threaded bar.

Drum beats , 3 low pitch, deep booming drum hits close together. Zoom h1 microphone. Sounds slightly tribal.

This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).

Hitting a large piece of plywood, recorded with a very cheap and low-quality computer mic. Processed in audacity for echo and added bass.